Issue #10:
Successes for Weekend 3; The Art Experience; and Upcoming Issues
Issue #9: Successes for Weekend 2; Weekend
3 Highlights; and Demonstrations
Issue #8:
Successes for Weekend 1; Weekend 2 Highlights; and Demonstrations
Issue #7:
Gala Opening for SVOS 2004; Highlights for Weekend 1; and Demonstrations
Issue #6:
Serendipity by Design; Inspired Monotypes; and Digital Wonders
Issue #5:
Fire, Noise & Punch; Watercolor Jungle; & Houses of Spirit
Issue #4:
Step Into My Garden, Woman's Best Friend, and Coincidences
Issue #3:
Girl Power, Layers of Paint, and Familiar Subjects
Issue #2:
Figurative Art, Art in
Transit, and Life on Three Levels
Issue #1: Jellyfish, Trinity Alps and
Tranquility
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Successes for Weekend 2
Allied Artists West’s Open
Studios: A Wonderful Party
By Saaba MBB Lutzeler
“It’s just a wonderful,
wonderful party!” exclaimed Mary Ann Henderson, heirloom tomato queen,
pastel painter, and host of Allied Artist West’s Open Studios. Jazz
piano greeted visitors as they approached the garden event, the
spirited notes dissipating somewhere on the horizon’s wooded hills. The
Saratoga spot was so idyllic that the dozen or more cars parked out
front did nothing to diminish the beauty of the Henderson home,
standing stately under its ceramic tile roof. As new guests arrived,
others trickled out, holding their original art purchases and chatting
about the impressive caliber of the work. Entering visitors, meanwhile,
wound their way down tent and art lined paths, admiring the realism and
brilliance of the many floral watercolors and pastels. These were so
striking that it was difficult to discern whether the paintings
conjured up the fragrance in the air, or whether the surrounding
lavender and roses did!
When asked what she likes about
SVOS, host Mary Ann said, “[the event]…draws in neighbors and people
from as far away as Pacifica,” adding after a moment’s reflection.
“When [the artists] take down their tents and go home, it’s kind of
sad.” Nearby guests nodded at this as they sat on the bricked veranda
sipping iced-tea, enjoying the garden, the art and the beautiful day: a
wonderful party, indeed.
PALO ALTO OPEN STUDIOS:
REASONS TO CELEBRATE
By Debra Nimmer
In the image,
left to right standing: Doron Noyman, Karen Frankel, Cassandra Gay, Tom
Garrison, Maria Koretz, Marie-Louise Rouff, Wendy Lowengrub;
Kneeling from left to right: Hedda Hope, Terry Acibo-Davis, Simone
Raoux, Julie Nelson-Gal. Also participating but not pictured. Tami
Avery, Anne Russell, Robin Welles, Carol Winograd.
The celebration on Saturday and
Sunday, May 8th and 9th at the Palo Alto Open Studios was monumental in
that it marked the studios’ one-year anniversary. All hearts were
warmed as the artists welcomed their families, friends and community,
giving them the opportunity to view their work.
The Palo Alto Open Studios,
located at 4030 Transport Street near Highway 101, owes its existence
to building owner Tom Taylor. Tom’s first tenants specialized in
advertising and occupied the site for six years. Shortly after they
left, however, Tom met Karen Frankel, a painter, who suggested the
space could be converted into a studio for artists. Tom Taylor proved
his interest by wasting no time. He and Tom Garrison, a
furniture-maker, came together to convert the warehouse into fourteen
studios. While the warehouse transformation was in full swing, Karen
got busy advertising available space for artists. Within a year, the
artists from Palo Alto and nearby cities responded to the call and
staked their claim. They now can celebrate one year at a new location
and give honor and tribute to the man who made it all possible.
Painter, Hedda Hope, is quite
pleased to be a part of the Palo Alto Open Studios. She enjoys creating
in her workspace and is grateful for the conveniences Tom Taylor has
afforded the artists. These include running water, heat, and the
capability to drive a car through the entrance directly in front of
their studio doors. This luxury allows artists to pack and unpack large
paintings, supplies and other tools without having to haul them up
stairs or down long hallways.
The Palo Alto Open Studios also
celebrated a large turnout: crowds of art lovers came not only to
mingle with the artists or enjoy the scrumptious appetizers and
beverages; they also came to add to their personal collections. Several
pieces were sold and conversations could be heard of arrangements to
purchase more at a later date. For artists, that’s cause for
celebrating!
Last but not least, the Palo
Alto Open Studios is a model for other artists who may be looking to
invest in buying property that can be converted to an art-making haven.
Some came to see how Tom Taylor and Tom Garrison pulled it off and
walked away feeling confident they could accomplish the same task.
The Palo Alto Open Studios
exhibiting artists were Terry Acebo-Davis (printmaking and new genre),
Tami Avery (painter), Karen Frankel (painter), Julie Nelson-Gal (mixed
media), Tom Garrison (furniture-maker and Palo Alto Open Studios Office
Manager), Cassandra Gay (printmaker), Hedda Hope (painter and SVOS
Star), Wendy Lowengrub (painter), Doron Noyman (painter), Simone Raoux
(painter and SVOS Star), Marie-Louise Rouff (painter) and Maria Koretz,
Anne Russell and Robin Welles (sculptors). Other artists who rent space
at the Palo Alto Studios include Skip Cantwell, Madeline Ettin, Lea
Feinstein, Barbara Mortkowitz, Steve Sabbag and Cristina Velasquez.
Natanson-Marcus Studio: Art
in the Garden
By Therese May
The visual appeal of Eva Szore’s
landscape paintings with their rich and colorful variety of shapes and
forms, welcomed SVOS visitors to the front garden area of the
Natanson-Marcus Group Studio in Los Altos May 8th and 9th.
Upon entering under the
Trumpet-vine-covered trellis, the bubbling sound of the fountain and
the rustling of leaves in the gentle breeze added to the visual feast
of Dewey Garrett’s brightly colored wood vessels. While nibbling
strawberries and vegetables, viewers made their way around the path.
Once in the back garden they could view the ceramic cups, bowls and
vases of Randy Koster, the landscape paintings of Denise
Natanson-Marcus and the watercolors and sculptures of Catherine Zander.
According to Dewey Garrett, “The
best part was meeting the other artists and getting to know them.” This
hospitable group of artists, each one so willing to talk about his or
her work, was a pleasure to visit.
San Mateo Central Park
Group Studio
By Therese May
Top to
bottom, left to right: San Mateo Central Park, Dewey Garrett, Jon
Keegan, Kathleen Wade, Lise Poulsen.
San Mateo’s Central Park,
with its idyllic Japanese tea garden, tennis courts, and winding paths,
is the location for the San Mateo Group open studio. This artists’
group will be contained in a small building nestled right between the
garden and the court. There is convenient parking both on the street
and underground next to the tennis courts. To see the art, take any
path to the core of the park; there will be artists outdoors as well as
inside. Walk through the front door of the central building’s main
lobby, and you’ll find more artists in the building’s left and right
wings.
Kerri Lawnsby, Executive
director of SVOS, chose the San Mateo facility to accommodate artists
who wanted to exhibit with a group at a location other than their own
studios. Lise Poulsen, one such artist, volunteered to coordinate the
twenty-five others who will be gathering at Central Park in San Mateo
May 15th and 16th for SVOS. She says she enjoys the team spirit of this
group and getting to know each of its members. According to Lise, all
the artists are mailing their own individual flyers, making it possible
for more people to attend. It is her first year participating in Open
Studios, and this is the first time SVOS has been offered at this
popular park. The artists will be serving refreshments in the kitchen
at the site, and visitors will feel the great cooperative energy the
artists have harnessed for the occasion.
This is a diverse group of
exhibiting artists; there will be something for everyone.
-
The collection of 3-D
artists includes Cyndee Newick and Rebecca Black (gourds); Dewey
Garrett (woodturning); Harriet Helfricht (stone sculpture); and Manny
Magallon (ceramics).
-
Those working in
acrylic, mixed media, and/or oil paint are: Jon Keegan, Joni, Mary
Medrano, Ronna Katz, and Victoria Ireland.
-
The lone group member
working in fiber arts is Lise Poulsen.
-
Kathy Wade and Marge
Regan are the group’s two jewelry artists.
-
In pastels and
watercolor are artists CJ Myers, Dixon Lau, Jackie Gray, Ming Shu
Franz, and Sheila Strand.
-
In photographic or
digital media are Dan Baumbach and Gianfranco Paolozzi.
-
Working in oil are
painters Jan Steele, Linda Etherington, Simone Raoux, Theresa Wayne,
JoAnne Benson, and Victoria Veedell.
Lise Poulsen, originally
from the south of London, makes delightful one-of-a-kind knitted
purses, each one uniquely shaped with yarns of vibrant colors and
textures. She first knits the basic purse using high quality European
and domestic yarns, and then she washes the purse in very hot water to
cause a shrinking called “felting,” making a wonderful, thick texture.
The purse is then dried on a frame, after which Lise sews an exotic
silk fabric lining into it and embellishes it with buttons, beads and
yarn. (Lise says sewing is her least favorite thing to do in this
process). She has been creating these attractive objects for the past
eighteen months and has already sold many of them.
Joni , a portrait painter
and illustrator as well as the manager and director of a downtown San
Jose art gallery , is participating in SVOS for the first time this
year, exhibiting over one hundred miniature artworks, all for sale. Her
work includes small portraits of friends and little cartoon drawings of
animals, one of which is entitled “Butterfly Cat,” a picture of a cat
daydreaming and wishing he were a butterfly. In the three years Joni
has been working in the gallery, she has helped over one hundred
artists exhibit their work. Her goal is to help ten times that number
get started in their art careers. She would like to own an art gallery
in an old house and have rooms devoted to children’s and adults’ art
respectively. Joni has put her professional gallery talent to good use
for the SVOS San Mateo event by drawing the layout of the twenty-some
individual art spaces inside the Central Park building housing this
year’s artists.
Dan Baumbach produces
exquisite digital photos of the natural beauty of rivers, streams and
flowers at times of the day when the light is “out of the ordinary” or
in times of cloudy or foggy weather. He has a background in advertising
and fashion photography and has traveled to France and India, taking
pictures. He lives in Marin County.
Victoria Veedell paints
lovely, simple landscapes, focusing on mystery, light and color. They
are painted from within, rather than reflecting the outside world. She
has exhibited her work extensively throughout the United States, India,
and Japan. She loves to travel and contemplate the light in different
parts of the world for her paintings. Victoria has studied art at New
York University and Texas A & M University.
Rebecca Black and Cyndee
Newick will both be offering their gourd art during the SVOS event in
San Mateo. Rebecca often makes her gourd designs into baskets, while
Cyndee lets the shape of the gourd guide her in the creative process.
Manny Magallon’s ceramic pots are functional glazed vessels, one of
which is titled, “Blue Crystal Vase.”
The Central Park Setting,
the Japanese garden, the tennis courts, the winding paths, the artists,
the art, the creativity, the energy of team work, the food provided by
the participating artists --all will come together in a grand
celebration!
Redwood City Art Center:
Retail with a Twist
By Patti Linder-Dodd
From left to
right: Joyce Faulknor, Wendy Lee, and Laxmi Natarajan.
Walking along the
tree-lined street of Broadway
in downtown Redwood City is like walking down many other streets in the
bay area, busy, but still not without small town charm. However, on May
15th and 16th, among the retail businesses on this enchanting street,
visitors can experience the excitement of Silicon Valley Open Studios
(SVOS) at The Redwood City Art Center located at 2626 Broadway from
11:00 AM to 5:00 PM.
Former art retailer Joan
Jordan started the center twelve years ago in Redwood City's old,
vacated police station. Couple of years later, when the station was
demolished, the art center relocated to a vacant retail space on
Broadway. Once the artists designed and entirely rebuilt the interior
with studio spaces, they were open for business, merging retail and
studio life into one.
Now, eight years later,
watercolors of florals and still life sit side-by-side with mixed media
abstracts on easels lining along the wall-to-wall retail window. As
people walk by, they slow down or stop to observe through the large
glass front works of art being created by published watercolorist Joyce
Faulkner where she shares space with two other artists, Gig Lotti,
mixed media, and Elaine Bourland, watercolorist. They entice the
pedestrians to venture beyond this studio/gallery retail front.
Twenty studios are located
along a hallway just behind the main front store gallery. Traveling
through the long, narrow walkway bisecting the Redwood City Art Center,
there is a wonderment of what various creations might be found behind
the multicolored studio doors with darkened windows, lending a
mysterious quality to the art process within. A hint of the creativity
that exists flourishes here along the walkway. The variety is abundant.
Exhibited samples of artworks range from paintings in oil and acrylic,
to watercolors and Chinese brush paintings; from mono prints and
silkscreens to 3D pieces. In addition, several SVOS Star 2004 winning
artists are located at this site, including two Collection 2004
recipients, which are painter Nancy Halpern and Chinese brush painter
Wendy Lee.
Although many of the Redwood
City Art Center artists display their work in locations throughout the
city, the street front exposure from this gallery makes this location
ideal: for the artists to sell directly to the public while still
maintaining a little mystery.
ENSO Art Center in Half Moon
Bay: A Peaceful Place for Art
By Therese May
From left to
right: Mauro Fforttissimo, Carrie Hollister, and Ellen Vogel
Enso; an art gallery,
meeting center, yoga studio,
and performance space, is a work of art in itself. Created by founders
Mauro FF and Carrie Hollister several years ago, it began with old farm
buildings that were used to store agricultural equipment. Although
still old and rustic, these structures are now beautiful works of art
with copper and nickel metalwork, which Mauro tooled himself, and then
applied to the exterior walls. There is an altar-like construction
built into the front of the main building, which (even though it is not
the front door) seems to invite the viewer in. These barns now have art
studio spaces. Artists use these as both classrooms and art-making
facilities for media as varied as painting, drawing, papermaking,
metalwork and bookmaking.
Mauro and Carrie began Enso
with the idea of making yoga classes and massage available to people
and to show their own artwork at the same time. Three years ago, when
Erin Tormey joined their staff, they began to have regularly scheduled
art exhibits. This will be their second year participating in SVOS, and
they are looking forward to having more of the public learn about Enso.
Enso will host their site for
SVOS on May 15th and 16th with five Half Moon Bay Artists: Ellen Vogel,
Sharon Scott, Carrie Hollister, Margaret Lindsey, and Mauro FF. Erin
Tormey, Gallery Director and self-described “Minister of Practical
Matters,” says everyone is welcome to look around at all the different
artworks in the various studios and gallery spaces. Mauro will even
serve his homemade creative vegetarian cuisine.
Mauro FF, a native of
Argentina, has been in the U.S. since 1980 and is a sheet metal
sculptor, painter, poet, musician and yoga teacher. This inspired and
productive artist has a way of seeing mundane objects that, with his
creative touch, reveal surprising, delightful and friendly results. His
artistic energy and enthusiasm is evident in his copper and nickel
plate sculptures as well as his small watercolor paintings depicting
the mystical and spiritual cultures of many lands. In the recent past,
Mauro co-founded the San Francisco Os Folsom Music/Experimental Sounds
Laboratorium and has performed and recorded with many distinguished
musicians like India Cooke, Kash Killion, Liz Lamatia, Glenn Spearmin,
Armando Perazza, Ralph Carney, Reggie Workman, and Don cherry. Venues
for his performances include Theatre Artaud, SOMA, CafZ du Nord, and
The Mel Mello Center for the Performing Arts. He will play experimental
music with the group, “OHMD the order of the Half Moon” during the
weekend of SVOS at Enso.
Carrie Hollister - also a
versatile and vital artist - works in a small, sunlit, two-room studio
space at Enso. She is a painter and textile artist who travels to many
parts of the world to study, enjoy, and create art, including detailed
gouache paintings on paper and her own original textiles patterned
after those of India. Carrie made the appealing, flat panel curtains on
the windows of the yoga studio and various other windows in the
complex.
Another intriguing artist
exhibiting in SVOS is Margaret Lindsey, who practices and teaches
“Process Painting”. As part of her meditation, she paints from her
intuition and dreams, and she encourages her students to paint from the
heart and experiment with techniques. Margaret teaches an energetic
painting process that allows the medium to flow naturally, helping
students overcome any negative self-judgment or frustration blocking
their creative processes. At Enso, there is little distraction, so it
is a peaceful environment to create art and take classes. Along with
artist Ellen Vogel, Margaret is available to local children for
organizing summer exhibits of their work. The idea is to teach kids the
logistical, behind-the-scenes activities career-artists must under take
like framing, entering juried shows, documenting work, and writing
artist statements.
Most artists at Enso will not
be found in mainstream galleries. Viewers can look forward to a
different kind of experience here. It is a place where art enthusiasts
can relax and enjoy the peaceful atmosphere while browsing and
purchasing authentic works created more from the heart than from a
marketing point of view.
Enso is located at the end of
a residential street (out of respect for the neighbors, there is no
sign). It is the last address before the beach. There are plenty of
slots in the parking lot. Director Erin Tormey reminds visitors that
yoga classes last until 11:00am, so this should be taken into
consideration when scheduling your arrival time.
NOTHING FAULTY HERE: The
Portola Valley Artists Open Studios
By Debra Nimmer
From left
to right: Sally Lennington Kunstadter, Barbara Zubrick, and Ann Wallach.
It’s no secret that Portola
Valley, California has a beautiful landscape. So much is evident when
you take an afternoon drive through its scenic roads accented with
golden brown hills and forest green trees. It’s also no secret Portola
Valley straddles the famous San Andreas Fault. Yet there’s nothing
shaky about the awesome talent neatly tucked away in the Town Center at
765 Portola Road.
Passion is the word that
comes to mind when describing the works of art uniquely created by the
Portola Valley Artists. They’ve taken powerful emotions and evolved
them into a graphic production with each individual artist as the
director. The only seismic rumblings you’ll hear at this venue are from
the feet of appreciative admirers rushing in to see the fabulous
artwork.
Portola Valley Artists
Studios are located in the Town Center building, originally constructed
as a school, and it has been the home of creativity for local artists
since 1982. Bonny Novesky and Kalani Engles, who sit on the city’s
Cultural Arts Committee, along with the other Portola Valley artists,
appreciate the skylights overhead, the peaceful valley atmosphere and
the large glass windows that frame their studios.
On Saturday, May 15th and
Sunday, May 16th, from 11 am to 5 pm, art admirers and supporters will
be given the liberty to behold some of Portola Valley’s best work,
including paintings, sculpture, jewelry, prints, ceramics and
photography. Visitors will also be able to mingle with the diverse
artists who will acquaint them with their pieces and reveal their
inspirations. These solo artists have been on this road of creativity
for many years, some since elementary school, and they all have a
common goal: to dream up, invent, and produce works that are sure to
please. Here’s a tidbit of what visitors can expect when attending the
Portola Valley open studios.
Abby Tamara enjoys painting
still life portraits and is currently working on a series entitled “My
Pantry” and Barbara Zubric paints watercolors that are reproduced in
giclee prints. She plans to show originals and cards.
Ann Ross Wallach creates
jewelry in what some might deem an unconventional way. Each piece is
made from exquisite beach stones gathered from seashores around the
Bay. After buffing, polishing and setting them in sterling silver
(occasionally adding jasper, lapis, jade or pearls), the results are
one-of-a-kind necklaces, earrings and rings for men and women.
Sally Lennington
Kunstadter, an SVOS Star, is a potter. Her simple yet elegant works
stem from a love of pottery that she’s had since college. When visiting
her studio, be sure to look for pots with multicolored, weaved lids.
You’ll want to take one home for sure.
Bonny Novesky doesn’t
consider herself very much of a painter or one that draws well, but she
prides herself in the ability to put things together, and with acrylic
collages, it works. To her, it’s not a chore; it’s fun, and that is why
she chose four years ago to steer clear from sour art depicting sadness
and grief. Instead, she made a personal decision to relocate her
imagination and creativity to acrylic collages using whimsical animals
as subjects, hoping to bring just a little joy into people’s lives.
Kalani Engles is also an
SVOS Star. Though she spent many years sketching, she now chooses to do
less sketching and more remembering of feelings she’s had, places she’s
traveled, and things she’s seen. These memories are evident in her
paintings, monotypes and sculptures. She enjoys creating big bold
pieces using either bright colored paints or blacks and whites. When
looking at her pieces, viewers may think they know exactly what she’s
created, but Kalani says, “Though everything comes from something
you’ve seen or thought, you have to make everything up in order for
each piece to remain an original.” She encourages people to admire her
work and draw (no pun intended) their own conclusions for what they
feel the piece is or represents.
Other participants will be
Adele Seltzer (acrylic, monoprints, sculptor and SVOS Star), Penny Sur
(painting), and Cathy Zander (mixed media).
The Portola Valley Artists
Open Studios are pleased this year to have wine tasting, compliments of
Thomas Fogarty Winery of Woodside, California and will also entertain
you with vocal and instrumental music.
It’s hard to believe that
the Portola Valley Artists Open Studios will soon have to find another
haven in which to continue their work, through no fault of their own.
Unfortunately the entire Town Center complex lies within the San
Andreas Fault zone, and indeed some portion of the existing buildings
may astride the active traces of the fault. Because of these findings,
recommendations have been made by seismologists to tear down portions
of the complex. The artists’ studio is one of the sections slated for
demolition, so they will eventually have to move. Yet, these talented
individuals haven’t allowed this to dampen their spirits. Their passion
for creativity through art mediums continues to flow through the scenic
roads of Portola Valley until they’re forced to leave. When that
happens, they’ll just pick up and bring a ray of light and sunshine
into another community who will appreciate and cherish the likes of
artists committed to their craft.
A WORK OF LOVE SHARED WITH
THE COMMUNITY: The 1870 Art Center Open Studios
By Debra Nimmer
From left
to right: Carolyn Shaw, Rob Browne, and Ruth Waters.
In a time when little is
spoken of reaching out to our neighbors, Ruth Waters, founder and
director of The 1870 Art Center, reminds us that not everyone is
selfish, self-centered, or self-seeking. She is testimony to the fact
that there are people who simply want to make a difference, even if
only in a small way. Artists working at the center, located at 1870
Ralston Avenue in Belmont, California, have found a way to bring people
together: they share their world with their community.
This came to pass through
Ruth’s spirit and vision. She says she’s been a sculptor forever, and
when she left her home in Northern Virginia, she was determined to
create a public entity, an interface between the community and the
artist, so the artist wouldn’t be isolated. She envisioned a place
where the community would be exposed to creative individuals, but also
where artists could be exposed to the people in the community.
Ruth worked with the city,
getting permission to create an art center in 1977 at the former Twin
Pines Park Psychiatric Ward. Local artists were so enthusiastic about
the idea that every space was not only spoken for on opening day, but
there was a waiting list as well! When the city later needed Twin Pines
Park to build a senior community center, it offered the artists a
choice of three closed elementary schools in Belmont. They chose 1870
Ralston and moved there in 1985. They partitioned classrooms; brought
doors up from other buildings; sheet rocked and painted; and replaced
tiny peek hole glass windows in the doors with large tempered glass
windows so anyone could look in. A massive amount of sweat equity
encases every classroom, hallway and courtyard, but the artists at The
1870 Art Center call it a work of love.
“Functional segregation” is
what Ruth calls keeping the dirty, noisy, messy sculptors by the
playing field near the parking lot and the clean, quiet artists near
the courtyard on the building’s opposite end. The goal of this
separation is to construct an environment that fits the needs of all
the artists without hindering any of their creation processes. Thus,
functional segregation aids in building a supportive working climate,
and that’s what counts.
The 1870 Art Center is
incredibly enthusiastic about sharing its talents with everyone. They
offer a variety of lectures, demonstrations, seminars, workshops, their
Open Studios are held in May and December each year, and its
exhibits/receptions are held in the gallery every five to six weeks.
The 1870 Art Center artists especially love it when children, families,
and schools come for tours.
Exhibiting artists include
painters Carolyn Shaw (an SVOS Star and Collection 2004 Artist) and
Kevyn Warnock; photographer Kathleen Podolsky; potter Joy Imai;
sculptors Rob Browne, Marion Finn, BJ Stevenson, and Robert Wilkinson;
and sculptor/painter Ruth Waters.
For more 1870 Art Center
information, please visit: www.1870artcenter.org.
A chance to see how art is
made: Demonstrations for May 15-16
By Kerri Lawnsby, Executive
Director
Our artists are proud of
their artwork--and they want you to be excited about visual art as
well! Many artists have volunteered to show you how they do what they
do---so look below for a list of demonstrations taking place this
coming weekend -- May 15-16 -- near you!
Belmont
Los Gatos
Menlo Park
Monte Sereno
Redwood City
-
Chinese Brush Painting with Linda
Stansen
Sunday at 11am and 2pm
2625 Broadway, Redwood City 94063
Map to Studio
Artist Page
-
Contemporary Crochet with Julie
Goodenough
Sunday at 2:30-3:00pm
1420 James Avenue, Redwood City 94062
Map to Studio
Artist Page
San Mateo
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Weekend 2
Highlights
